ÉPISODE: David tells Brandon about Kelly and Alison, and Brandon humiliates Kelly with his drunken ramblings. Brandon plans to give in to Valerie. But that night, the police pull over Brandon and arrest him when a joint is found in Valerie's car. He is released the next morning, but rejects Valerie for getting him in trouble. He clears the air with Kelly before heading home, and refuses another reconciliation attempt. After learning that Tom Rose knew his father, Dylan tries to contact Christine Pettit for information, but Rose traces the call. The next morning, Tom Rose takes Dylan up in a tram car, where his goons hold him over the edge. Rose tells Dylan that he had nothing to do with Jack McKay's murder, yet he claims that he does know the identity of Jack's killer... but the information would cost Dylan his life. After being released, Dylan terminates his movie deal with Charley. Dylan and Brandon end up sharing a bus ride back to Beverly Hills. When Dylan gets home, he gets his gun out of storage and quietly vows to track down and kill his father's murderer. Brandon learns that the house has been sold, and he must move in two weeks. He and Valerie end up making out. Ray becomes physical with Donna during an argument and knocks her down the stairs. She suffers an arm injury, and is unnerved when her mother suddenly gives Ray her approval. Valerie tells Donna that she saw Ray push her, but Donna denies it and lashes out at Valerie, aware that she and Ray have been seeing each other. Also, Steve discovers the truth about his "goddess."
Un fils de bonne famille, Martial, mal dans sa peau, dépressif, PDG d'une chaîne de supermarchés, profite de raisons professionnelles pour prendre un peu de recul. Il se pose à Limoges, semant le trouble dans la vie des bourgeois locaux (dont les gérants du supermarché de la ville, Monsieur Fonfrin et sa femme) comme dans le cœur d'une petite provinciale, Francine, à qui il propose de rester quelques jours avec lui, en échange de quoi elle pourra se voir offrir tout ce qu'elle veut. Au cours du film, les personnalités des personnages se révèlent, et changent même ; ainsi, Monsieur Fonfrin, présenté alors comme un riche bourgeois aspirant seulement à son enrichissement personnel, va se révéler être à la fin un des personnages les plus attachants, enclin à aider quiconque, tout le temps, soutenant Martial (dans le dos duquel il se moquait) et proposant à chaque fois de lui apporter son aide.
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