| Stored files |
| "01-Introduction_and_Getting_Started\1-A_Quick_Overview_of_the_FL_Studio_Interface.mkv" | 161,411,956 | 336ED77D |
| "02-FL_Studio_-_Crash_Course_Beginners_Section\11-Mixing_and_Exporting_-_Brief_Look.mkv" | 121,826,841 | 96728DCF |
| "02-FL_Studio_-_Crash_Course_Beginners_Section\8-FL_Studio_Tricks_Tips_-_Drums_and_Bass.mkv" | 175,996,595 | 714EE92C |
| "02-FL_Studio_-_Crash_Course_Beginners_Section\9-MIDI_Recording_Quantizing_Velocity_-_Brief_Look.mkv" | 172,848,231 | BA3CB3B4 |
| "03-In-Depth_Look_at_FL_Studio\15-Playlist_Overview.mkv" | 116,366,705 | 119CA08D |
| "03-In-Depth_Look_at_FL_Studio\18-Mixer_Overview_-_Part_1_Interface.mkv" | 171,280,574 | 6C983658 |
| "03-In-Depth_Look_at_FL_Studio\20-Browser_Overview_-_Part_1.mkv" | 212,110,534 | 92A43427 |
| "03-In-Depth_Look_at_FL_Studio\21-Browser_Overview_-_Part_2_More_Features.mkv" | 100,946,171 | 85726DCC |
| "04-Setting_up_Recording_and_Editing_MIDI\24-Setting_up_a_MIDI_Device_-_More_Features.mkv" | 202,494,490 | 07E1AB62 |
| "04-Setting_up_Recording_and_Editing_MIDI\25-Recording_MIDI.mkv" | 105,596,544 | 171B2C8D |
| "06-Recording_Audio_Essentials\31-Recording_Audio.mkv" | 106,007,581 | 850663F3 |
| "06-Recording_Audio_Essentials\35-Basic_Audio_Editing.mkv" | 103,968,207 | ACEFF208 |
| "07-Turning_your_Ideas_into_a_Song_Continued\38-Basic_Synthesis_with_the_3_Osc_Synth.mkv" | 126,922,113 | 6F793F04 |
| "07-Turning_your_Ideas_into_a_Song_Continued\39-Cloning_a_Pattern_and_Another_Look_into_Synthesis.mkv" | 154,275,057 | 570ABDA3 |
| "08-Mixing_Basics_in_FL_Studio\47-Volume_Panning_and_Stereo_Separation.mkv" | 175,952,930 | 7CD61CD5 |
| "08-Mixing_Basics_in_FL_Studio\48-Reverb_and_Delay_Sends.mkv" | 176,233,719 | 37E3ACAE |
| "08-Mixing_Basics_in_FL_Studio\49-EQ_Basics.mkv" | 177,752,173 | 278E0102 |
| "08-Mixing_Basics_in_FL_Studio\50-Limiting_and_Exporting_your_track.mkv" | 100,673,239 | C07E8D95 |
| "08-Mixing_Basics_in_FL_Studio\51-Automation_Clips.mkv" | 163,253,161 | E84F46A7 |
| "09-Compression_and_Dynamics_In-depth\57-Compression_Introduction.mkv" | 142,344,731 | 05C4D97B |
| "09-Compression_and_Dynamics_In-depth\58-Compression_-_More_Controls.mkv" | 125,616,562 | 69D7592B |
| "09-Compression_and_Dynamics_In-depth\59-How_to_use_a_Compressor.mkv" | 408,886,286 | 08C914F6 |
| "09-Compression_and_Dynamics_In-depth\60-More_Compression_Features_Sidechain_Compression_Sustain_Curve.mkv" | 163,250,857 | C77A57BC |
| "10-Beginners_Guide_To_Mastering\62-Mastering_PT_1_-_Preparing_your_track_Glue_Compression_Saturation.mkv" | 115,467,072 | 78987585 |
| "10-Beginners_Guide_To_Mastering\63-Mastering_PT_2_-_EQ.mkv" | 280,618,961 | 087DE7AC |
| "10-Beginners_Guide_To_Mastering\64-Mastering_PT_3_-_Stereo_Widening_Multiband_Compression_and_Limiting.mkv" | 310,597,561 | EAB1568D |
| "11-How_to_Make_Beats_in_FL_Studio\68-How_to_Quickly_Create_a_Drum_Beat.mkv" | 102,588,218 | 0F2FB30E |
| "14-FL_Studio_Synths_-_FLEX_Instrument\106-Flex_Instrument.mkv" | 217,172,580 | 69A1668D |
| "14-FL_Studio_Synths_-_FLEX_Instrument\107-Flex_Instrument_-_Part_2.mkv" | 248,332,216 | 7D83974E |
| "15-Using_the_FPC_Drum_Machine\109-FPC_-_Part_1_Overview_of_the_Main_Interface.mkv" | 151,154,551 | 0DD6FCCE |
| "15-Using_the_FPC_Drum_Machine\113-FPC_in_Action_-_Part_2_Creating_Recording_Beats.mkv" | 193,960,398 | 388613B2 |
| "16-An_In-Depth_Look_at_Synthesis\119-SimSynth_-_Oscillators_Overview.mkv" | 112,990,799 | 3C5A073E |
| "16-An_In-Depth_Look_at_Synthesis\122-Envelopes_-_The_AMP_Envelope.mkv" | 116,251,940 | 322AB931 |
| "16-An_In-Depth_Look_at_Synthesis\123-Modulation_-_The_Filter_Envelope_PT_1.mkv" | 149,437,806 | 8D68EB05 |
| "17-LuxeVerb_Reverb_-_FL_Studio_21_-_All_Plugins_Edition_ONLY\131-Reverb_Section_-_Part_1.mkv" | 172,417,929 | 8A31819E |
| "17-LuxeVerb_Reverb_-_FL_Studio_21_-_All_Plugins_Edition_ONLY\134-Feedback_Section.mkv" | 186,593,586 | BADF7F07 |
| "18-FL_Studio_Channel_Sampler\140-Sampler_-_Part_1_Introduction_and_Loading_a_Sample.mkv" | 106,623,471 | 4C79F450 |
| "18-FL_Studio_Channel_Sampler\141-Sampler_-_Part_2_Content_and_Playback.mkv" | 143,962,009 | E4726B73 |
| "18-FL_Studio_Channel_Sampler\142-Sampler_-_Part_3_Time_Stretching.mkv" | 124,021,502 | 7BC7E010 |
| "18-FL_Studio_Channel_Sampler\143-Sampler_-_Part_4_Precomputed_Effects.mkv" | 115,390,312 | ABBFCAC7 |
| "20-Miscellaneous_Instrument_Setting_Tab\154-Miscellaneous_Tab_-_Part_5_Cut_Groups.mkv" | 102,056,656 | A588A3E6 |
| "20-Miscellaneous_Instrument_Setting_Tab\155-Miscellaneous_Tab_-_Part_6_Arpeggiator.mkv" | 101,793,338 | 4E990E68 |
| "23-Instrumental_Songwriting_Essentials_in_FL_Studio\172-Writing_a_Lead_Melody.mkv" | 139,715,668 | 429B78D2 |
| "23-Instrumental_Songwriting_Essentials_in_FL_Studio\173-Writing_Bass_Parts.mkv" | 139,667,113 | 2194F89D |
| "23-Instrumental_Songwriting_Essentials_in_FL_Studio\174-Writing_a_Basic_Drum_Part.mkv" | 139,068,716 | 7E927B19 |
| "24-Arranging_the_Song\178-Arrangement_and_Organization_Continued.mkv" | 106,859,481 | 3F26E7E4 |
| "24-Arranging_the_Song\179-More_Organization_and_Arrangement.mkv" | 152,338,340 | CDB78991 |
| "24-Arranging_the_Song\180-Adding_Stabs_and_a_Shaker_Part.mkv" | 170,816,837 | 798DB448 |
| "25-Writing_a_Countermelody\183-Writing_a_Countermelody.mkv" | 247,628,713 | 595E0CEE |
| "26-Writing_and_Arranging_the_Bridge\187-Continuing_Arranging_the_Bridge.mkv" | 130,081,120 | BCF74A0F |
| "26-Writing_and_Arranging_the_Bridge\188-Building_the_Drums_for_the_Bridge.mkv" | 116,348,997 | AE486A51 |
| "27-Final_Parts_and_Arranging_for_this_Song\191-FX_-_Cymbals_and_Riser.mkv" | 108,865,283 | A7AEFB26 |
| "27-Final_Parts_and_Arranging_for_this_Song\192-Writing_a_New_Melody_for_the_Verse_and_Bridge.mkv" | 122,501,195 | 76D29ACF |
| "29-Writing_Lyrics_and_Melody_for_an_Instrumental\195-Writing_Lyrics_and_Melody_for_an_Instrumental.mkv" | 110,227,969 | 058D2683 |
| "30-Creating_a_Story_with_Lyrics\197-Creating_a_Story_with_Lyrics_-_Part_1.mkv" | 119,594,495 | 512AB112 |
| "31-Lyrics_and_Songwriting_Tips_with_Songwriter_Peter_Darling\200-Peter_Darling_s_5_Top_Tips_for_Lyric_Writing.mkv" | 318,558,417 | F269ADEC |
| "31-Lyrics_and_Songwriting_Tips_with_Songwriter_Peter_Darling\201-Peter_Darling_s_Top_10_Tips_for_Beginner_Songwriters.mkv" | 755,379,156 | 7FBD4BE2 |
| "32-Audio_Recording_Equipment\203-Audio_Interfaces_and_Examples.mkv" | 277,075,208 | 5E99C393 |
| "34-Outboard_Gear_Discussion\209-Outboard_Gear_Pros_and_Cons.mkv" | 415,060,684 | E1C9160B |
| "35-Audio_Engineering_Q_A_with_Former_Abbey_Road_Engineer_Paul_Baily\212-What’s_the_difference_between_Analogue_and_Digital.mkv" | 124,168,038 | A16A8945 |
| "35-Audio_Engineering_Q_A_with_Former_Abbey_Road_Engineer_Paul_Baily\213-Do_you_need_Analogue_Gear.mkv" | 126,695,037 | 31A71642 |
| "35-Audio_Engineering_Q_A_with_Former_Abbey_Road_Engineer_Paul_Baily\214-Common_Misconceptions_about_Analogue_Audio.mkv" | 301,377,791 | 9E7D829D |
| "35-Audio_Engineering_Q_A_with_Former_Abbey_Road_Engineer_Paul_Baily\215-Exciting_Developments_around_Audio.mkv" | 163,915,623 | 268CA70E |
| "35-Audio_Engineering_Q_A_with_Former_Abbey_Road_Engineer_Paul_Baily\216-Has_the_role_of_Engineer_changed_and_top_tips_for_getting_hired.mkv" | 192,025,175 | 6829EB79 |
| "35-Audio_Engineering_Q_A_with_Former_Abbey_Road_Engineer_Paul_Baily\217-What_are_the_Traits_of_a_Good_Audio_Engineer.mkv" | 106,459,227 | 2B918F82 |
| "36-Bonus_Section_-_Interview_with_Paul_Baily_-_Abbey_Road_Stories\220-Paul_Baily_Interview_-_Part_1.mkv" | 436,881,619 | 9C0B5159 |
| "36-Bonus_Section_-_Interview_with_Paul_Baily_-_Abbey_Road_Stories\221-Paul_Baily_Interview_-_Part_2.mkv" | 379,932,246 | FEB27350 |
| "37-Peter_Darling_and_Tomas_George_-_Music_Production_Chat\225-Peter_Darling_Talks_to_Tomas_George_-_Part_2.mkv" | 475,016,735 | 67BAC67C |
| "37-Peter_Darling_and_Tomas_George_-_Music_Production_Chat\226-Portable_Recording_Equipment_Discussion.mkv" | 278,004,990 | 17EEDC36 |
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